Hola brainers,
oggi vi parlo di un libro che ho letto in anteprima e che uscirà il 30 marzo in America.
Ho deciso di scrivere una recensione in doppia lingua, dato che il blog tour è stato organizzato dalla casa editrice americana. Quindi, prima troverete la recensione in italiano e poi quella in inglese.

Coming of age as a free-born Black girl in Reconstruction-era Brooklyn, Libertie Sampson was all too aware that her purposeful mother, a practicing physician, had a vision for their future together: Libertie would go to medical school and practice alongside her. But Libertie, drawn more to music than science, feels stifled by her mother’s choices and is hungry for something else—is there really only one way to have an autonomous life? And she is constantly reminded that, unlike her mother, who can pass, Libertie has skin that is too dark.
When a young man from Haiti proposes to Libertie and promises she will be his equal on the island, she accepts, only to discover that she is still subordinate to him and all men. As she tries to parse what freedom actually means for a Black woman, Libertie struggles with where she might find it—for herself and for generations to come.
RECENSIONE:
The only good poem I’ve ever written is you. A daughter is a poem. A daughter is a kind of psalm. You, in the world, responding to me, is a song I made. I cannot make another.
È il 19° secolo. Libertie e sua madre Cathy vivono a Brooklyn, dove la donna gestisce un ospedale per donne. La madre di Libertie è una donna di colore nata libera e, per il fatto di non essere particolarmente nera, è riuscita a iscriversi all’università di medicina, prima che la facoltà scoprisse le sue origini. A Brooklyn non solo è medico, ma gestisce anche un’attività clandestina che aiuta i neri a fuggire dalla schiavitù. Cresciuta da questa donna straordinaria e incredibilmente forte, Libertie cerca di trovare il suo posto nel mondo, tra i giudizi della società e le ambizioni di sua madre.
Ho trovato questo romanzo estremamente interessante, perché è un inno alla libertà e all’ordinarietà. Troviamo molto spesso racconti di persone straordinarie, ma pochi di persone che semplicemente vogliono vivere un’esistenza tranquilla e ordinaria. Allo stesso tempo, però, Libertie non è una ragazza che abbassa la testa e subisce, è sempre inquieta e alla ricerca di se stessa e non riesce ad accettare un posto nel mondo che lei stessa non abbia creato. Infatti, tutte le volte che si fa trascinare dalla corrente e percorre la strada che altri vogliono imporle, si ritrova sempre a tornare indietro e cambiare direzione. Come personaggio assolutamente normale e ordinario, ha i suoi difetti e compie i suoi sbagli per cercare la propria strada, come ogni giovane che anche oggi si sente un po’ perso guardando al futuro.
I cannot think of a greater freedom than raising you.
Un altro aspetto interessante del romanzo è quello della maternità, come forma più elevata di libertà. Interessante, prima di tutto, perché spesso la maternità è definita come una forma (più o meno grande) di schiavismo, mentre qui è vista come una liberazione e un’adorazione reciproca.
La maternità e il rapporto tra Libertie e sua madre è uno dei temi al centro del romanzo e quello che forse prende più spazio nella vicenda. Libertie vive all’ombra della madre, che vede in lei un futuro brillante e un esempio per le generazioni future. Ma Libertie, che lavora insieme alla madre fin da quando ha 13 anni, non ne vuole più sapere di anatomia e di fluidi corporei, vuole trovare la sua strada che sente sarà lontana dalle sale di un ospedale.
La ragazza è molto più interessata alla poesia e alla musica, alle parole degli inni e al modo in cui le due voci armoniose di Louisa ed Experience, soprannominate le Graces, due ragazza conosciute all’università e che nascondono un amore proibito per l’epoca, si sposano insieme e innalzano lo spirito al cielo.
Gli inni sono un argomento su cui l’autrice ha fatto molte ricerche e che sono essenziali all’interno del romanzo, poiché scandiscono il ritmo della vicenda.
Anche grazie a questo ritmo dato dagli inni, lo stile dell’autrice è estremamente evocativo e lirico e la vicenda trasporta il lettore attraverso l’America e Haiti, toccando importanti e dolorosi momenti storici per il popolo nero.
All in all, questo racconto che basa i suoi personaggi sulla figura di Susan Smith McKinney-Steward e di sua figlia Anna ha sicuramente aperto una nuova pagina di romanzi storici e mi sento davvero di consigliarvelo.

Brainers,
I am so happy to talk to you about Libertie by Kaitlyn Greenidge that will grace the shelves of all bookshops on the 30th of March.
Before telling you what I have thought about this novel, I would like to thank Algonquin Books for sending me an arc copy of the book in exchange for an honest review and for inviting me to partecipate in the blog tour.

Coming of age as a free-born Black girl in Reconstruction-era Brooklyn, Libertie Sampson was all too aware that her purposeful mother, a practicing physician, had a vision for their future together: Libertie would go to medical school and practice alongside her. But Libertie, drawn more to music than science, feels stifled by her mother’s choices and is hungry for something else—is there really only one way to have an autonomous life? And she is constantly reminded that, unlike her mother, who can pass, Libertie has skin that is too dark.
When a young man from Haiti proposes to Libertie and promises she will be his equal on the island, she accepts, only to discover that she is still subordinate to him and all men. As she tries to parse what freedom actually means for a Black woman, Libertie struggles with where she might find it—for herself and for generations to come.
REVIEW:
The only good poem I’ve ever written is you. A daughter is a poem. A daughter is a kind of psalm. You, in the world, responding to me, is a song I made. I cannot make another.
It’s the 19th century. Libertie and her mother Cathy live in Brooklyn, where the woman runs a hospital for women. Libertie’s mother is a free-born black woman and, due to not being particularly black, she had managed to enroll into a medical college before the faculty discovered her origins. In Brooklyn she is not only a doctor, but she also runs a clandestine business that helps black people escape from slavery. Raised by this extraordinary and incredibly strong woman, Libertie tries to find her place in the world, between society’s judgment and her mother’s ambitions.
I think this novel is extremely interesting, because it is a hymn to freedom and ordinariness. We often find tales of extraordinary people, but few of people who simply want to live a quiet and ordinary existence. At the same time, however, Libertie is not a girl who lowers her head and suffers in silence, she is always restless and in search of herself and cannot accept a place in the world that she has not created for herself. In fact, whenever she gets dragged by the tide and takes the path that others want to impose on her, she always finds herself going back and changing direction. As an absolutely normal and ordinary character, she is flawed and she makes mistakes to find her own path, like any young person who – even today – feels a bit lost facing the future.
I cannot think of a greater freedom than raising you.
Another interesting aspect of this novel is the concept of motherhood, as the highest form of freedom. Interesting, first of all, because motherhood is often defined as a – more or less great – form of slavery, while here it is seen as a mutual liberation and adoration. Motherhood and the relationship between Libertie and her mother is one of the themes at the center of the novel and the one that perhaps takes the most space in the story. Libertie lives in the shadow of her mother, who sees in her a bright future and an example for future generations. But Libertie, who has worked with her mother since she was 13, no longer wants to get involved with anatomy and body fluids, she wants to find her path that she feels will be far from hospital’s rooms. The protagonist is much more interested in poetry and music, in the words of hymns and in the way the two harmonious voices of Louisa and Experience, alas the Graces, two girls she met at university and who hide a forbidden love for that time , blend together and raise the spirit to heaven.
Hymns are a topic on which the author has done a lot of research and that are essential in the novel, as they mark the rhythm of the story. Also thanks to this rhythm given by the hymns, the author’s style is extremely evocative and lyrical and the story transports the reader through America and Haiti, dealing with important and painful historical moments in black history.
All in all, this story that bases its characters on the figure of Susan Smith McKinney-Steward and her daughter Anna has certainly opened a new page of historical novels and I really recommend it.